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Out of Sight, Out of Mind
Erick Villarruz
August 10 -September 7, 2024
1/4
From Chaos To Art
Out of Sight, Out of Mind marks Erick Villarruz's triumphant return to Art Cube Philippines, a fitting venue for his 10th solo exhibition as it was the very place where his artistic journey began in 2014. Now celebrating his decade of creative fruition, the artist has come full circle, going back to one of his early loves in artmaking: portraying figures as a means of processing and expression, while providing a deeper understanding of his subjects through his and others’ recent experiences.
Villarruz observes that the world has not been the same, as change, a necessary agent, has, expectedly, altered realities as we see and go through them. With his exhibition, he delves into the complexities of neurodevelopmental disorders and what simply might be confusing due to sensory overload, as he translates the often unseen and misunderstood into visually compelling narratives. From his past works of simple representations of interiors and objects of fascination, he now goes into intricate depictions of psychological states, capturing the chaotic yet profound nature of the human mind.
Known for employing earthy tones, the artist now aims to evoke a sense of grounding amidst the mental chaos through the application of vibrantly hued figures set in a background of forest green. The tactile quality of oil paint allows him to layer and build textures, mirroring the layers of the mind's experiences. This medium, with its rich hues, provides a perfect foil for the artist’s exploration of figuration and psychological introspection, with his subject’s changing hair colors providing visual cues to an intimate knowledge of uncertainty and doubt.
In viewing the exhibition, one might recognize how overthinking rips the consciousness apart, with silent screams sometimes becoming the only way to drown out the noise. Multiple eyes stare with emotion and intensity, evoking the overwhelming nature of constant thought and the struggle to find clarity. The muscular form of a socket devoid of an eye might remind us of certain snippets of anime or manga, but the open lips and spliced faces in various states of articulation offer striking visual metaphors, inviting viewers to reflect on the inner turmoil that often goes unseen. When we say the oft-repeated quote, Out of Sight, Out of Mind, it means that people quickly forget someone if that particular someone goes away. In the artist's case, however, he reminds us that what is inside the mind is exactly what we don't see, but the signs are many–if only we know how to read them and take the correct paths to action.
Villarruz seemingly employs the pieces in Out of Sight, Out of Mind to foster kindness and understanding, particularly towards those who are harsh or unkind to themselves. By bringing to light hidden battles, the artist seeks to cultivate empathy and compassion. As he deftly explores the labyrinthine complexities of the mind, he vulnerably offers a glimpse into the artist’s soul and the unseen struggles of many. Through his art, Villarruz invites us all to look deeper, hope we comprehend, and extend kindness to ourselves and others.
-Kaye O’Yek
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