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Flocking Animals

Guerrero Habulan

February 21 - 23, 2025

Video
Press Release

For his solo exhibition Flocking Animals, presented by Art Cube for Art Fair Philippines, Guerrero Habulan
delves into the dynamics of congregation—the unseen forces that draw individuals together, shaping
collective identity and critical mass. Through his layered, intricate compositions, he dissects the interplay of devotion, tradition, and historical burden that define the post-colonial Filipino experience.

Habulan’s fascination with mass gatherings stems from his long-time documentation of native feasts, particularly the Traslación in Quiapo and the Holy Week processions in Pampanga, where fervent devotees engage in self-flagellation and crucifixion rites. These rituals, steeped in Catholic symbolism, also reveal a deeper syncretic nature, merging indigenous and colonial influences into a singular, complex spiritual expression. In his works, this convergence manifests through figures in flux—assembled, moving, and drawn toward an unseen yet palpable force at the heart of the composition.

Revisiting and reconfiguring past motifs, Habulan transforms the once-passive “sitting ducks” into standing figures—emboldened, resolute, no longer merely subjects of fate but agents within a collective movement. His figures, often juxtaposed with Western iconography both real and imagined, refuse subjugation. Instead, they stand their ground, meeting the gaze of history—and the viewer—with unwavering presence.

The visual intensity of Flocking Animals is reinforced by Habulan’s dynamic use of oil and acrylic on both paper and canvas, integrating techniques drawn from Abstract Expressionism, figuration, and serigraphy. His approach embodies paradox—disparate elements coexisting in a unified pictorial event. The artist refers to this as “conjoined,” where no singular element can be removed without disrupting the whole. Multiplicity does not fragment but rather fortifies, creating a visual dialogue that mirrors the layered realities of Filipino identity.

At its core, Flocking Animals is both an inquiry into and an affirmation of the collective—its power, its resilience, and its capacity to forge meaning from history’s remnants. In an era of fragmentation and uncertainty, Habulan’s work reminds us that in coming together, we do not merely survive; we assert our strength, solidarity, and fortitude.

-Carlomar Arcangel Daoana

Guerrero Habulan

Born in Manila in the 1980s, Guerrero Habulan became aware of the ironies of community and elite authority at a very young age. As a child, he started making space for himself in the cluttered working table of his father, renowned social realist Renato Habulan, finding it natural to draw and doodle on the paper scraps he found. He tried to create a path away from art before he entered the University of the Philippines College of Fine Arts program, but eventually found his way back in 2001 when he won Third Place in the 18th Young Painters Annual Competition of the Metrobank Foundation. In 2003, he was awarded the top prize in the 36th Shell National Students Art Competition. He is the 2011 and 2025 Vermont Studio Center Artist in Residency Awardee and was an artist in residence at Artesan Art Gallery Singapore in 2012. He was also one of the CCP Thirteen Artists Awardees in 2018 and is a member of Sangviaje, a group of young contemporary artists based in Antipolo. He has mounted solo exhibitions in the Boston Gallery, Ayala Museum Artist Space, Pinto Art Museum, BenCab Museum, Art Verite, Art Fair PH with Art Cube Philippines, and the Cultural Center of the Philippines, as well as Utterly Art and Artesan Art Gallery in Singapore. Habulan has also participated in notable group shows in Singapore, Kuala Lumpur, Copenhagen, and New York.

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VISIT US

Unit 104 G/F Building 3, OPVI Centre, 2295 Chino Roces Ave, Makati City,
Metro Manila

OPENING HOURS

CONTACT

Tuesday to Saturday

9AM-5:30PM

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